Katherina No shame but mine. I must, forsooth, be forced To give my hand, opposed against my heart, Unto a mad-brain rudesby full of spleen, Who wooed in haste, and means to wed at leisure. Read more about Act 3, Scene 2: Popup Note Index Item: “Who wooed in haste and means to wed at leisure”
Lucentio Faith, mistress, then I have no cause to stay. [Exit Lucentio] Hortensio But I have cause to pry into this pedant; Methinks he looks as though he were in love. Yet if thy thoughts, Bianca, be so humble To cast thy wandering eyes on every stale, Seize thee that list. If once I find thee ranging, Hortensio will be quit with thee by changing. [Exit] Read more about Act 3, Scene 1: Popup Note Index Item: “cast thy wandering eyes on every stale ... find thee ranging”
Bianca Why, I am past my gamut long ago. Hortensio Yet read the gamut of Hortensio. Bianca [Reads the scale which he has written out for her] Gamut — I am the ground of all accord, A re — to plead Hortensio's passion. B mi — Bianca, take him for thy lord, C fa ut — that loves with all affection. D sol re — One clef, two notes have I. E la mi — Show pity, or I die.' Call you this ‘gamut’? Tut, I like it not. Old fashions please me best; I am not so nice To change true rules for odd inventions. Read more about Act 3, Scene 1: Popup Note Index Item: “Gamut – I am the ground of all accord”
Bianca Why, I am past my gamut long ago. Hortensio Yet read the gamut of Hortensio. Bianca [Reads the scale which he has written out for her] Gamut — I am the ground of all accord, A re — to plead Hortensio's passion. B mi — Bianca, take him for thy lord, C fa ut — that loves with all affection. D sol re — One clef, two notes have I. E la mi — Show pity, or I die.' Call you this ‘gamut’? Tut, I like it not. Old fashions please me best; I am not so nice To change true rules for odd inventions. Read more about Act 3, Scene 1: Popup Note Index Item: “D sol re — One clef, two notes have I”
Bianca [To Lucentio] In time I may believe, yet I mistrust. Lucentio [To Bianca] Mistrust it not. [Loudly] For, sure, Aeacides Was Ajax, called so from his grandfather. Read more about Act 3, Scene 1: Popup Note Index Item: Aeacides, Ajax
Hortensio Madam, before you touch the instrument, To learn the order of my fingering, I must begin with rudiments of art, To teach you gamut in a briefer sort, More pleasant, pithy, and effectual Than hath been taught by any of my trade, And there it is in writing fairly drawn. Read more about Act 3, Scene 1: Popup Note Index Item: Gamut
Biondello master hath appointed me to go to Saint Luke's to bid the priest be ready to come against you come with your appendix. [Exit] Lucentio I may, and will, if she be so contented. She will be pleased — then wherefore should I doubt? Hap what hap may, I'll roundly go about her . It shall go hard if Cambio go without her. [Exit] Read more about Act 4, Scene 4: Popup Note Index Item: "What will happen, will happen"
Biondello I cannot tarry. I knew a wench married in an afternoon as she went to the garden for parsley to stuff a rabbit, and so may you, sir; and so, adieu, sir. My master hath appointed me to go to Saint Luke's to bid the priest be ready to come against you come with your appendix. Read more about Act 4, Scene 4: Popup Note Index Item: “you come with your appendix”
Lucentio And what of all this? Biondello I cannot tell, except they are busied about a counterfeit assurance. Take you assurance of her, cum privilegio ad imprimendum solem. To the church take the priest, clerk, and some sufficient honest witnesses. If this be not that you look for, I have no more to say but bid Bianca farewell for ever and a day. [Starts to leave] Read more about Act 4, Scene 4: Popup Note Index Item: “cum privilegio ad imprimendum solem”
Tranio-as-Lucentio I thank you, sir. Where then do you know best We be affied and such assurance ta'en As shall with either part's agreement stand? Baptista Not in my house, Lucentio, for you know Pitchers have ears, and I have many servants. Besides, old Gremio is hearkening still, And happily we might be interrupted. Read more about Act 4, Scene 4: Popup Note Index Item: “Pitchers have ears”