Petruchio Come, where be these gallants? Who's at home? Baptista You are welcome, sir. Petruchio And yet I come not well. Read more about Act 3, Scene 2: Popup Note Index Item: “And yet I come not well.”
Petruchio But where is Kate? Where is my lovely bride? How does my father? Gentles, methinks you frown; And wherefore gaze, this goodly company, As if they saw some wondrous monument, Some comet or unusual prodigy? Read more about Act 3, Scene 2: Popup Note Index Item: Monument
Petruchio Not I, believe me, thus I'll visit her. Baptista But thus, I trust, you will not marry her. Petruchio Good sooth, even thus. Therefore ha' done with words; To me she's married, not unto my clothes. Could I repair what she will wear in me, As I can change these poor accoutrements, 'Twere well for Kate and better for myself. But what a fool am I to chat with you, When I should bid good morrow to my bride, And seal the title with a lovely kiss! Read more about Act 3, Scene 2: Popup Note Index Item: “what she will wear in me”
Tranio Signor Gremio, came you from the church? Gremio (elderly suitor) As willingly as e'er I came from school. Read more about Act 3, Scene 2: Popup Note Index Item: “As willingly as e'er I came from school.”
Katherina No shame but mine. I must, forsooth, be forced To give my hand, opposed against my heart, Unto a mad-brain rudesby full of spleen, Who wooed in haste, and means to wed at leisure. Read more about Act 3, Scene 2: Popup Note Index Item: “Who wooed in haste and means to wed at leisure”
Katherina Now must the world point at poor Katherine And say, 'Lo, there is mad Petruchio's wife, If it would please him come and marry her.’ Tranio-as-Lucentio Patience, good Katherine, and Baptista too. Upon my life, Petruchio means but well, Whatever fortune stays him from his word. Though he be blunt, I know him passing wise; Though he be merry, yet withal he's honest. Read more about Act 3, Scene 2: Popup Note Index Item: Tranio’s behavior
Bianca Why, I am past my gamut long ago. Hortensio Yet read the gamut of Hortensio. Bianca [Reads the scale which he has written out for her] Gamut — I am the ground of all accord, A re — to plead Hortensio's passion. B mi — Bianca, take him for thy lord, C fa ut — that loves with all affection. D sol re — One clef, two notes have I. E la mi — Show pity, or I die.' Call you this ‘gamut’? Tut, I like it not. Old fashions please me best; I am not so nice To change true rules for odd inventions. Read more about popup_note_index_item 2689
Lucentio Faith, mistress, then I have no cause to stay. [Exit Lucentio] Hortensio But I have cause to pry into this pedant; Methinks he looks as though he were in love. Yet if thy thoughts, Bianca, be so humble To cast thy wandering eyes on every stale, Seize thee that list. If once I find thee ranging, Hortensio will be quit with thee by changing. [Exit] Read more about popup_note_index_item 2690
Hortensio Madam, before you touch the instrument, To learn the order of my fingering, I must begin with rudiments of art, To teach you gamut in a briefer sort, More pleasant, pithy, and effectual Than hath been taught by any of my trade, And there it is in writing fairly drawn. Read more about Act 3, Scene 1: Popup Note Index Item: Gamut
Bianca [To Lucentio] In time I may believe, yet I mistrust. Lucentio [To Bianca] Mistrust it not. [Loudly] For, sure, Aeacides Was Ajax, called so from his grandfather. Read more about popup_note_index_item 2686